"My creative practice involves shaping existing materials, transforming them into vessels of function and meaning, thereby expressing humanity through such acts of conviction. This concept finds its most apt embodiment in the Stone Age, where primitive rubbing gestures first twisted loose fibers into yarn, then locked these yarns into stable, soft textile structures. Weaving technology, nearly as ancient as humanity itself, remains in use today and is fundamentally rooted in the history of our existence. The perspective of regarding textiles as a quintessential human material forms the starting point of my material exploration—an exploration that is profound and continuously pursued through experimental methods. It guides my research into techniques, raw materials, and both artisanal and industrial manufacturing processes. I translate and combine languages while discovering what each reveals to me. The driving force behind this material transformation lies in uncovering the fundamental connections between human-material relationships and the essential, universal aspects of the human condition."
I draw inspiration from personal observations, often incorporating autobiographical elements to explore themes that resonate with broader collective experiences—such as our relationship with time, our connections to community, or our sense of origin. The result is a series of heterogeneous works that give rise to multi-material installations and tactile creations, open to interpretation on multiple levels. Sensory stimulation, infused with a touch of delight and playfulness, becomes my key to inviting and nurturing profound introspection and reconciliation with our own realities.